I work from my own studio using my Bewick press. I employ drypoint and carborundum, again often using
wo plates, which also produce deep rich blacks. Here the editions are smaller, often only 5 - 10. I like to vary the wiping on these plates, so that each print is unique, hence ‘ev’, ‘edition variable’. More recently,
I have been experimenting with colour, using two plates with dry point, carborundum and monoprint, and each print is individual. I hope to extend the use of monoprint as
I find it so exciting with each print offering something different.
I am also experimenting with Intaglio gravure plates which provide me with yet another set
of rules and further horizons to explore”.